Chance is a synergetic installation that combines code, image, and sound to create a cross-sensory, polyphonic experience. A landscape of painted walls and multi-channel sound encloses the viewer. Choreographed by code, a circle of machine quartets investigate chance, emergence, friction, resonance and change ::: a cloud orchestration.
Chance opens October 19, 2017. The year-long exhibit will be a living, evolving space ::: a residency / habitation / research lab / performance space. Printed artifacts will be left in the space to give the feel of blueprints / notes ::: a score. The Sax gallery at the Tweed is a luminous space. Its many skylights filter shifting seasons and variable weather patterns ::: a photosynthetic recitation. It provides a sanctuary ::: a place for rest and reflection.
This is a time of great planetary change and political turmoil. Chance has evolved under these skies. There is a machine / human friction present in the space. As the work evolves I have a sense of trembling before god ::: a struggle towards language & coherence ::: an ongoing ritual of conceal & reveal / imprint & erasure / struggle & resistance. As a queer artist I inhabit a landscape of the infinite between. This work embeds an infinite series of choreographed transitions. Machine renderers will perform their twists and turns (their monitor-bound between-ness) 24/7 for a year. The marks across the wall echo the arc of my body.
Chance explores the intersections between art & technology / humans & machines / polyphony & mathematical systems. My generative artwork is inspired by the mathematical representations of ecosystems that I studied while a student at the University of MN, Duluth. Mathematical models are often used to represent physical systems ::: our ideas about how the world works. They are like a score / orchestration / script / generative code. Algorithmic blueprints draw the contours of change and movement ::: convergences, divergences, emergent patterns and cascading, system-level impacts. Mathematical models can depict the complexity and profound tension between independent threads and the bounds of interconnected webs ::: the polyphony of life.
Code is a literature ::: a pattern language ::: a score. It is a choreography ::: a performance. A code renderer is the weaver ::: the mill ::: the alchemist ::: the wizard. Code is a spell ::: an incantation ::: an intent. When code is performed it is an activation of text ::: a linguistic gymnastics.
In a perfect confluence of electricity, network, rhythm, memory, processing, action & reactions
a program comes to life ::: Pinocchio ::: a real boi at last. The program (the cybernetic ze) speaks to us, calculates for us, responds to our touch : our keystrokes. It becomes our mirror :|: our cyborg self ::: our memory.